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Complete 3 pages APA formatted article: Teligions of Southeast Asia. The beings that reside in these inter-penetrable mediums often hold corresponding formations as well as varying mixtures of actions. Temiars envisage a corresponding allotment of potentially independent souls in diverse beings ranging from humans, plants, animals, along with landforms. all possessing the respective segments, such as heart as well as soul for humans. Attached souls would be discharged as free spirit particularly in form of a vision, dream, along with infirmity. The collective entities of either “upper or lower, as well as bound or unbound” souls ensure association, as well as convey information among humans along with nonhuman mediums as noted by Roseman (6). Temiar precepts also suggest that this connection of resemblance forms the basis for dream as well as trance encounters hence endorsing a song symphony, apart from enhancing infirmity. This is when free medium’s in spirit form. from the bodies of both wilderness, as well as settlements are liable of involving humans in optimistic exchanges as spiritguides, or wicked ones acting as infirmity agents. Wilderness is not against settlement as in the case of risk when compared to safety, which is often exhibited in Malays. with both realms experiencing compassionate and awkward dimensions. Over the dreams, the free unbound head soul of the halaa’s would be attached to either the free upper or lower spirits of various natural bodies, such as a tree or a tiger, whom would guarantee their aspiration to operate as the “dreamer’s spiritguide” (Roseman 6). The interaction will then be endorsed via a song performance from the spiritguide to the halaa. Subsequently, by conveying the song through a ritual performance, the halaa might become obsessed with the vision, accent, as well as the ideology of the spiritguide. Reciting the song should automatically connect the character with the spiritguide. hence he or she would be presented as a halaa for the spirits. the character may then detect as well as cure infirmity. According to (Roseman 21), the songs would recommend the beings to follow a certain path. The spiritguide can then point at a respective route in the song. then the halaa, with the aid of the spiritguide, might convey the song, explaining the visions as well as views, as observed by the spiritguide in its excursions. The outlined route would connect diverse entities involving the spiritguide, and halaa among other ritual partakers. The Temiars explanation presumes that the core influence of the route reflection is derived from their persistent journeys and everyday duties such as traveling within the jungle, and the river ways traversing the wilderness alongside the settlements (Roseman 8). The invasive sensate acquaintance with the path is often assigned a figurative outlook within the basic metaphor, whereas tracing the route, and mastering the path across the jungle, entails imperative intellects in Temiar culture (Roseman 2). Conversely, failing to master the path, as well as getting mislaid in the wilderness would be fatal. Besides, infirmity often arise when an individual’s liberated head soul have been waylaid. As reported by Roseman (8), diagnosis as well as remedy entails “singing a way, of finding the head soul,” alongside driving it back to the settlement. Though, if the chorus line slips ups while reciting halaa’s first phrase, the being might be considered to have missed the route.